The Transformation of Lucius Essay Example for Free

The Transformation of Lucius Essay The book†The Transformations of Lucius†, also known as Golden Ass, or Metamorphoses, is a story with magic, adventure and lesson. This was translated from the original Latin text into English by Robert Graves. The book by Lucius Apuleius, adapted a Greek story. The story is a journey spiced with mix of erotic, comedy, and romantic encounters. However, the story can be observed as a religious fable. It is one of the early European literature pieces with Eastern influence and a very modern feel. Written almost 2000 years ago, the book retains its energy and excitement that entertains the readers and the message or lesson that it employs. The Lucius’ transformation of man turning into ass provides a situation that enables the character to experience hardships and make dramatic scenes for the story. This determines the struggle to play upon. This instance of transformation of a man into an ass implies a magical experience which can be seen throughout the story. Some instances are the mysteries of Isis and having himself performed miracles necessitating the mastery of magic and sorcery. However, the story emphasizes the reality through twists of events like tragic and drama. The novel portrays about the man and the struggle of life in a world of limited resources. Magic as described in the story does not eliminate the reality or incapacity to o certain things. The author limits the use of magic, in order to focus on a more human experience such as struggle. One struggle that Lucius had arises from his own inner desires for pleasure. The journey to escape from the bonds of desire is a challenge endured by Lucius. In the story, sensual aspects of life through descriptions of erotic scenes illustrate pleasurable and the painful way of living life. The author put the character into a situation where he can show that maturation and the right wisdom needed to survive ones desires. Another conflict that arises is from outside the character. This occurs between individuals or even a larger group of persons. It gives description of the society during that time, illustrating the heroes, senators and other magnates of Roman power, also simple shepherds and farmers, cooks and scullions, artesans, slaves and beggars, and thieves of the underworld. When Lucius, as an ass, is forced to work in a flour-mill, the author describes the hideous conditions of the slaves working there. The author implied unacceptable conditions in the Empire and is a demand for reform. The construction of the story has alternation between comic and tragic experiences and between romantic and dramatic instances. One comic encounter is when Lucius and his host Milo which is offset by the tragic of Socratess death. The character’s romantic sexual encounters with the maidservant contrast with the horrifying story of Thelyphrons disfigurement. There are also tragic and dramatic experiences like Luciuss own capture by the dacoits and his miserable experiences at the farms. Luciuss transformation from man to ass is comic-tragic. The Lucius and Fotis episodes could also be termed comic-romantic and his funny adventures with the priests. All throughout, the story alternates between naughty and humorous happenings and dramatic or tragic events. These elements are meant to provide excitement to the readers through unpredictable events. The novel, â€Å"The Transformations of Lucius†, is a portrayal of man’s struggle and eventually finding a true interpretation of his experience. It is important in every struggle to discover the meaning behind the things that one experience. That makes one person worthy of the success he earned. REFERENCE The Transformations of Lucius, otherwise known as The Golden Ass. translation, notes by Robert Graves. New York: Farrar, Straus Giroux, 2000 (1950).

Fahrenheit 451 by Ray Bradbury :: Ray Bradburys Fahrenheit 451

Montag, Beatty and the rest of the firemen expected it to be just another burning. They did not expect an unidentified woman to commit suicide along with burning her books. As the firemen attempted to save the woman, she told them to â€Å"go on.† Within a moment, â€Å"The woman on the porch reached out with contempt to them all and struck the kitchen match against the railing.† On the way back to the firehouse, the men didn’t speak or look at each other. While Beatty began showing the knowledge he has gained from books, which along with the death, firemen begin to show that they are thinking and showing emotions. While listening to Beatty, Blackstone passes the turn to the firehouse, while Montag is amazed at his intelligence. After meeting the exiles, the war has begun, and a bomb was dropped in the city, killing everyone. Before they begin they’re adventure back towards the city, Granger decides to start a fire and cook some beacon. While eating, Granger mentions the Phoenix, and explains how society is related to the Phoenix; â€Å"He must have been the first cousin to man. But every time he burnt himself up he sprung out of the ashes, he got himself born all over again. And it looks like we’re doing the same thing over and over.† After arriving to Montag’s home, Beatty instructs Montag to burn his own books as his punishment. Instead, Montag burns the television sets and the bed, in spite of Millie’s pleasures. When Beatty discovers the hidden book in Montag’s jacket and the earpiece, he tells Montag he and Faber will be arrested. In fear, Montag turns the flame thrower on Beatty, making him a â€Å"shrieking blaze, a jumping, sprawling gibbering manikin no longer human or known.† After burning the mechanical dog, Montag reassures himself that Beatty wanted to die. Montage burns his first house, showing his pleasure and joy in his job. â€Å"It was a pleasure to burn. It was a special pleasure to see things eaten and blacken and change.† By the end of the novel, Montag watches the sun as he floats down the river. Montag decides that he must never burn again; â€Å"The sun burnt everyday. It burnt time. The world rushed in a circle and turned on its axis and time was busy burning the years and the people away, without any help from him.

Othello’s position as an outsider fuelled by his insecurities Essay

In what ways does Othello’s position as an outsider fuelled by his insecurities bring about his downfall? Shakespeare was on of the greatest writer of all time he wrote many plays and among them there are his timeless tragedies. Some of the most popular are ‘Romeo and Juliet’, a typical love tragedy, ‘Macbeth’ and the famous ‘Othello’. Tragedy is one of the oldest genres in literature. It started off in Greek times and one of the earliest writers was Aristotle. Shakespeare was influenced by Greek and Roman thought and ideas, which he used in his own revenge tragedies. Shakespearean tragedies are all set around the hero. The hero normally has a fatal flaw that causes the downfall of the hero. These ideas are clearly shown in the revenge tragedy ‘Othello’. In the play, Othello is a typical revenge hero. Othello is a cultural and racial outsider he is a moor, which is a natural of Northern Africa. This featured separates him from the other characters. He is a well-respected man who is a loyal officer and has repeatedly proved himself in a battle, but people still do not accept him as one of them. This fuels Othello’s insecurities and the way people treat and talk to him build on the many insecurities he already has. Throughout the play there are many references to Othello’s race and social background. In scene one the audience are introduced to Othello through Iago and Brabantio conversing about him. The audience are informed that he is marrying the King’s daughter (Desdemona) behind the King’s back. This is highlighted by a quote from Act one Scene one â€Å"A black ram is tupping your white +ewe†. The audience’s first impressions of Othello are that he is sly and untrustworthy. The imagery used by Iago â€Å"black ram† and â€Å"white yew† signifies the differences between Desdemona and Othello, Othello is black and Desdemona is white. Not simply this but other ideas are connoted by these images to the audience. Black symbolising hate and evil while white symbolising purity, good and angelic. This opposite effect between them gives a negative effect on the audience about Othello. Witchcraft is spoken of â€Å"He thought t’was witchcraft† by Iago and Rodrigo as there is no other reason for a pure and angelic character to love such a hideous beast. The ideas of witchcraft being mentioned shows that people are thinking that Othello has put a spell on Desdemona for her to love him. Othello isn’t seen as attractive or conventionally good looking. His colour makes him unappealing and frightening implied by the imagery used by people in the play when speaking about Othello. When referring to Othello. â€Å"The Moor† and â€Å"Thick lips† are used as references to Othello’s colour in many scenes. The imagery of animals or beasts is used a lot, â€Å"Black ram† and â€Å"barbary horse†. This is bringing Othello to an animalistic level with the imagery of wild un tamed animals or beasts. This is used to insult Othello’s colour and his racial background. By saying he is of a low level and uncivilised. Although a lot of insults are directed towards Othello these insults are never spoken to his face. This is because Othello is a valuable and skilled soldier he has done a lot for the country and people respect him for that. â€Å"I have done the state some service and they know’t.† When speaking to Othello, Iago and Rodrigo call him â€Å"my lord† This shows respect and Othello seems to be accepted into their Venetian society because of his fighting ability, although the dramatic irony is clearly shown when Iago says, â€Å"I do hate him as I do hells pains† but when speaking to Othello in Act 4 Scene 4 he says. † You know I love you my lord.† This would be one thing that would change the audience’s views about Othello and make them more aware of Iago as this starts to show his true colours. Iago mentions the word hell signifying the devil and pure evil, this again relates to the views and opinions people have on Othello’s racial background. His black skin reinforces the images and thoughts also. Discrimination is a key theme during this play a lot of which is aimed at Othello. Although Othello has been accepted into their society he still feels conscious about his racial background as he states , â€Å"haply, for I am black†. Othello knows that he’s an outsider to them and understands why, his unknown qualities may be threat to some but on the other hand others are intrigued which Is shown when he says, â€Å"her father loved me/oft invited me/still questioned me about the story of my life.† People do not like to accept the unknown but like to question it or like Iago feel the need to push it away. The unknown is ventured into by Desdemona she crosses the line between her society and the unknown by marrying Othello. This shocks and seems outrageous but it helps Othello be accepted more into their society. Desdemona was once too scared by Othello’s race this is highlighted by the quote† And when she seemed to shake and fear your looks.† But she looked beyond this † I saw Othello’s visage in his mind†. This shows that if one can see the inner beauty then why can’t every one else? Perception is a key theme during the play. The audience see that Othello is beautiful not on the outside but on the inside. Iago although he appears beautiful the audience see a different view they see more than skin deep. Desdemona accepts Othello for who he is, therefore Othello feels safe and secure with her. He loves and adores Desdemona and would do anything for her. This is clearly shown in Act4 Scene4 â€Å"And I when I love thee not, chaos is come again.† This is implying that without Desdemona’s love it would be the end of the world, the end of Othello. When Iago starts to question Desdemona’s love for Othello, Othello now feels he cannot trust Desdemona. This affects him because she makes him feel accepted because she loves him for who he is and now he feels unaccepted into their society. Iago knows this so he plays on these insecurities to get what he wants. I think this quote is a good description telling the audience he is comparing Othello to an Ass, and Iago is leading him with his lies. â€Å"And will as tenderly be led by th’nose as asses are.† This creates an image of an animal being led away so easily by something so simple, but by something it loves and craves. Iago does not tell Othello anything about Desdemona and Cassio he just cleverly puts thoughts into Othello’s head, it is shown well n this quote, â€Å"Ha I like not that†¦Nothing my lord.† Iago immediately catches Othello’s attention and he is eager to find out more. Iago plants the seed of doubt and nurtures it over act 3. Iago carries on and starts to mention Cassio although he doesn’t say anything about Desdemona and Cassio being together he implies it, shown in this quote â€Å"I cannot think he would sneak away so guilty like, seeing you coming.† These quick sentences get Othello’s mind racing, with doubt and jealousy. The words that make Othello eager are â€Å"sneak† and â€Å"guilty† this really sets the scene for a private affair. Othello panics and he answers Iago quick trying to find out more. â€Å"What dost though think?† As the scene progresses Othello becomes suspicious and starts to get annoyed with Iago, as it seems Iago knows something and is not telling Othello, Othello says â€Å"Show me thy thought†. Othello, feeling an outsider already is now separated from the group even more as there are secrets revolving around that he knows nothing of. Iago realises that Othello may not believe him, to get Othello to trust him and start to believe him he says â€Å"You know I love you my lord.† This dramatic Irony starts to show the audience that the real villain is Iago in the play and their sympathy goes out to Othello as all he is, is another â€Å"cog† in Iago’s conniving and twisted plan. Toward the end of the scene Iago starts to really play on the insecurities of Othello. â€Å"She did deceive her father marrying you†. This implies that if she can deceive her own blood then what chance does Othello have? This idea was brought up at the start of the play when Othello was speaking to Desdemona’s father, and he warns Othello of her background telling him that she has deceived him many times before. So Othello starts to really believe it now. â€Å"Why did I marry?† To make sure Othello really understands Iago, Iago starts to imply that Othello being an outsider means he does not know a lot about their society. Iago comes from this society so anything said, Othello will believe because he doesn’t know any different. â€Å"In Venice they do not let god see their pranks, they dare not show their husbands; their best conscious.† Here Iago is implying that Venetian women are not what they seem. Iago knows this from past experience and implies Othello has been pulled in by their deceptive ways. Othello is starting to doubt his position in the society as he realises he does not know enough. This plays on his insecurities and he feels more of an outsider than he’s ever felt. This is shown by his epileptic fits on stage as he works himself up so much his body shuts itself down. His epileptic fits contribute to his outsider qualities as this is a fault within him, which separates him from the society. People don’t understand him and therefore can’t accept him totally into their society. This gives Iago a chance to work situations to his advantage like the Cassio and Bianca scene. Othello becomes more and more insecure and vulnerable he ‘need’s’ to rely on Iago’s advises more. Iago gets him to depend on him and a power change occurs. The audience are aware of the change by Act 4 scene 4 when it is clearly shown. From then on Othello becomes more and more insecure, and Iago ‘feeds’ on his weakness. â€Å"Rude am I in speech / And little blessed with the soft phrase of peace.† (A statement form Othello.) This is showing us that Othello is presenting himself as an outsider and constantly brings up his differences from other Venetians. This insecurity is brought on by the thoughts of other people. If everyone else thinks it, then Othello starts to think it too because he is so unsure about himself. Another quote that shows this is when Othello says, â€Å"Haply for I am black/and have not those soft parts of conversation.† Othello knows he is discriminated against his colour and he admits it â€Å"Haply for I am black†, his colour is linked to the ideas of a beast he refers to this by saying, â€Å"have not those soft parts.† The â€Å"soft† in this sentence is the total opposite of what is thought about Othello. He now discriminated himself and compares him self to other people and this is when he thinks his whole world is crumbling around him especially because his one true love has supposedly betrayed him. If Othello chooses not to believe in himself and lets himself be an outsider from the rest, then what chance does he have expecting others to accept him? Othello’s position as an outsider is in a lot of way fuelled by his insecurities. This is a serious weakness that comes across on Othello and the paranoia he has upon himself does not help. Desdemona gave him the confidence to not care, but Iago’s twisted and conniving ways led Othello to believe his one true love was not there beside him any more helping him through the tough times. Desdemona fuelled the little confidence Othello had and it was this reason that Iago used to break Othello. In the last scene Othello speaks â€Å"Like a base Indian, threw a pearl away.† Here in this metaphor Othello has realised Desdemona was his pearl the one thing left that made him she was his world and his world had now gone.

The Organizational Culture Of The Exploration Summer...

Organizational Analysis Paper: Examining the Organizational Culture of the Exploration Summer Program at Yale Introduction Purpose Whether we like it or not we are surround and affected by organizations on a daily basis. The different organizations that we belong to, work for, or socialize with shape the type of people we are and the cultures and beliefs that we accept. When looking at these organizations a lot can be learned about the organization’s culture by analyzing the values, assumptions and artifacts of the organization. This analysis paper will observe the organizational culture of an organization known as the Exploration Summer Program at Yale (Explo), from two different viewpoints. First the analysis will use the Organizational Culture Questionnaire (OCQ) to look at the 7 key dimension of an organization that seem to capture the spirit of an organization’s culture. The second half of the analysis will look at the connection between the organization’s physical culture and its organizational performance. The Exploration Summer Program at Yale (Explo at Yale) is an educational, summer college preparatory program based out of Yale University in New Haven Connecticut. The program host two, three week long sessions during the summer for domestic and international high school students, entering 10th to 12th grade and has around 1500 students attend the program per summer. The Explo at Yale program is one of three programs within the organization and while theShow MoreRelatedA History of Organization Development4211 Words   |  17 Pagesbehavioral science in a systems context to improve organizational performance and the capacity of the organization to improve itself. 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